Follow Rajagopal & Hanne, the co-creators of Pārvai or The Gaze, during the process of the making of this experimental production.
Introducing பார்வை (Pārvai)or The Gaze
In collaboration with Het Nationale Ballet in Amsterdam; supported by the Netherlands Embassy in New Delhi; conceptualized by Hanne M. de Bruin & P. Rajagopal; Tamil script: P. Rajagopal
1 | An Indo-Dutch cultural venture
19th century Ballerina Marie Taglioni
Photo credit: National Portrait Gallery, London
2 | David and Goliath
Village audience watching an all-night Kattaikkuttu performance.
Photo credit: Kattaikkuttu Sangam
3 | The bayadère and an 18th century Dutch merchant
Jacob Haafner, Reize in eenen Palanquin, Amsterdam 1808.
4 | Famine and a British photographer
Inmates of a relief camp during the famine 1876-1878 in Madras photographed by Willoughby Wallace Hooper.
Photo source: https://www.flickr.com/photos/elcaarchives/5632054529 | Wikipedia, the free encyclopedia
5| Introducing the characters
Devadasi, Indian dancer, image in Jacob Haafner’s Reize in eenen Palanquin 1808.
7| The two Annas
Nikiya performs her solo in the second act of the Bolshoi Ballet’s “La Bayadère” | © photo by Damir Yusupov [https://www.artintercepts.org/2019/02/02/tradition-is-a-good-thing-but-bolshois-bayadere-is-out-of-touch/]
12 | Rehearsal detail 2
Reconstructing one of Willoughby Wallace Hooper’s photographs of the Great Madras Famine.
13 | The sound of starvation
P. Sasikumar playing the mukavinai, the wind instrument that contributes to Kattaikkuttu’s characteristic sound scape.